This may be upside down, who knows.
Richard Youngs is one of my favourite artists when it comes to that whole folk-with-a-twist scene, but he's also one of those artists who will release just about anything they record (I've lost track of what he's released this year alone) - and if no label will have it, he'll just do it himself on his own No Fans imprint.
The 17th (!) of these home-made CDR releases is 'Live in Salford', a whopping 50 of which were released in 2008 and available exclusively through that ecstatic channel of cosmic hype surrounding anything that is cottage-produced and purposely made to sell out in less than a week and become sought-after by collectors, thus lending an aura of CULT upon the creator, and if possible, also a bit upon the seller - yes, I'm talking about Volcanic Tongue, and yes - I'm taking the piss of course (but there's something to it, admit it...). This one shows all the usual trappings: unique packaging for every single copy, hand-stamped and written wax paper wrapper, white stamped CDR carrying a 28 minute live recording, 25 minutes of which consists of ecstatic flute playing, followed by a coda of Youngs' trademark singing, equal parts folky and psychedelic. While this is in no way an essential Youngs release (try 'Sapphie' or 'River Through a Howling Sky' or 'Under Stellar Stream', to name just a few classics - or this year's 'Amplifying Host'), this is definitely a charming by-product of a relentless artist whose heart overfloweth with a goodly matter. Not a good starting point, but a nice addition to the more easily available recordings for the - oops, I almost said fans.