One more while I'm at it, and before I go dormant again for God knows how long. Not Taku Sugimoto this time, but not straying too far either, here's another sought-after classic from a Japanese pioneer: Tetuzi Akiyama (秋山徹次; Tetuzi is his idiosyncratic way of spelling Tetsuji, as I may have mentioned before). This is his solo guitar album 'Relator', released in 2001 on Sugimoto's Slubmusic label.
I'm going to make it easy on myself and just quote the ever-reliable Brian Olewnick on this one:
"Akiyama, a guitarist, electronicist, and sometime violist, is most closely associated with the Japanese free improvisation scene centered around Taku Sugimoto. On Relator, a series of improvisations on acoustic guitar, he nestles into a space midway between Sugimoto's ultra-quiet serenity and the more agitated state of players like Derek Bailey. The pieces tend to be sparse and, in a sense, simple with highly abstracted blues motifs recurring irregularly. The guitar often sounds as though strung with extreme looseness, ensuring that a rattling sound will rough things up if they threaten to get too pristine. Akiyama's volume level ranges from nonexistent up to about medium range, never getting very loud. Some of the tracks (such as "Preparation") have a lovely, almost bucolic mood while others fall into random scrape 'n' clunk forays. At his best, he shows a keen sense of aural space and a very calm and relaxed approach to playing, though the listener may have to decide where to draw the line between relaxedness and lassitude. Generally, Relator will appeal to fans of quiet improv and post-Bailey guitar playing. Newcomers to this genre may prefer to begin with the more accessible Sugimoto." (All Music Guide)
Get it now at a fingerlicking 320kbps.
By popular request, I give you... even more Taku Sugimoto (杉本拓)! (For the other ones, check links in the previous post, and let me know if anything needs to be reuploaded.)
Considered by many to be his masterpiece, released on that ephemeral HatHut offshoot Hat Noir, this was a one-time edition of 2000 copies, which you'd think is quite a lot for this artist, but this album has become surprisingly rare over the years. Oh, I just noticed I tagged this as 1997, but it was actually released in 1998; please correct that when you download it, and before you start spreading it on, lest the Schwebeablaut good name of properly tagged files be forever sullied.
Sugimoto's most listenable album, consisting of 25 tracks of meditative solo guitar (some electric, some acoustic), is yours for the taking - don't dawdle!