Showing posts with label Keiji Haino. Show all posts
Showing posts with label Keiji Haino. Show all posts
4.5.11
Vajra - Mandala Cat Last (2002)
One of my favourite albums of all time, this: the 5th (not counting that 3") and by far the best album by Japanese supergroup Vajra (跋折羅), the mighty trio of hoarse acid folk troubadour Kan Mikami on vocals and guitar (三上寛), the uncategorizable but instantly recognizable percussion of long-time Kazuki Tomokawa associate Toshiaki Ishizuka (石塚俊明), and last but not least - Keiji Haino (灰野敬二)! (What? He needs no warm-up talk, he's freaking Keiji Haino!)
This 2002 release (on P.S.F., like all Vajra albums) is usually referred to as 'Mandala Cat Last', though that's actually a fusion of the Japanese title (Mandalaキ・『やっと』 - 'Mandala ki - yatto') and the English one ('Cat Last'), both of them for reasons unfathomable to me (and probably you) making the same awkward pun (yatto is Japanese for 'at last'). But enough of that, on to the music.
Vajra is a very unstable but thrilling mix of three masters, a cocktail of psychedelic rock, hypnotic blues, unhinged improv jamming, folk and traditional Japanese song forms all twisted and mangled, feedback noise and ululations - basically all the great skills that the members of the group have perfected over several decades each crashing head-first into each other. Are you excited? You should be. The third track here is probably one of my top 3 favourite songs of all time - every bit as spine-chilling the 100th time you hear it as it was the first. When the first one takes flight, you hope it will never end. The fourth one is a very simple yet moving a cappella take on an obscure Mikami song, コップは壊れるだろう ('Koppu wa kowareru darō', 'The Cup Will Break'), from way, way back (it first appeared on his 2nd album, 三上寛のひとりごと, 'Mikami Kan no hitorigoto', 'Kan Mikami's Monologue', 1972 that was). OK, let's have a look at that tracklist.
1. オレには空が緑に見える (Ore ni wa sora ga midori ni mieru) - The Sky Looks Green to Me
2. 日本のコーラは甘い! (Nihon no kōra wa amai!) - Japanse Cola Is Sweet!
3. 猿は拝まない (Saru wa ogamanai) - Monkeys Don't Pray
4. 曼荼羅TOOT(H) (Mandara TOOT(H)) - Mandala TOOT(H)
5. 亡音 (Bōon) - Sound Deadening
6. 疑傷 – 武蔵へ – (Gishō - Musashi e -) - Playing Wounded - For Musashi
Transliteration is a bit of a problem on the last 2 songs here, since the titles there, as far as I can tell, seem to be freshly coined by (probably) Mikami himself, and you never know with those devilish kanji. The translations are reliable, they are by Alan Cummings, the number one (and only?) go-to-guy for freaky Japanese singer-songwriters wanting to see what their lines look like in correct English (see scans).
Listen.
320kbps.
Labels:
improv,
Japan,
jazz,
Kan Mikami,
Keiji Haino,
noise,
rock
3.1.11
Aihiyō - Aihiyō (1998)
Aihiyō (哀秘謡) is one of Keiji Haino's more obscure groups. There were only 2 albums, a studio recording (this one here, released in June 1998 on Tokuma) and a live one (June 2000, PSF). Both were 'cover' albums, though you'll have to take that term very loosely here. The song covered are mostly '60s and '70s pop hits. Haino released no less than 8 albums on Tokuma in 1997-1998, and they are all quite collectible nowadays. What's more important, quite a few of them are really good. There is for instance Haino's solo album 息をしているまま ('Iki o shite iru mama', or 'Keeping on Breathing') and 完結されもしない死 ('Kanketsu sare mo shinai shi', or 'A Death Never to Be Complete') by Fushitsusha (不失者), both of which I suggest you pick up next time they turn up at your local yard sale or flea market. This Aihiyō isn't half bad either, though fans of the original songs will not automatically dig these interpretations. Bear in mind that when Haino covers a song, what you end up with is 5% original song and 95% vintage Haino. Or in other words, Haino fans need not fear any bubblegum singalongs; just a slightly more accessible, melodic sound. Let's have a look at the tracklist.
What you'll find below are the Japanese titles, followed by romaji transliterations and the English titles (as given on Discogs - note that these are not always literal, and that they do not appear anywhere on the original CD). Furthermore, the original artist is given (note: the artist who first performed the song - not necessarily the songwriter), occasionally the year of original publication or some other info, and finally YouTube links to the original songs.
1. いとしのマックス ('Itoshi no Makkusu' - 'My Darling Max')
by 荒木一郎 (Ichirō Araki), from 1967; [YT]
2. 八月の濡れた砂 ('Hachigatsu no nureta suna' - 'Wet Sand in August')
by 石川 セリ (Seri Ishikawa), from the soundtrack of the 1971 film of the same title, directed by 藤田敏八 (Toshiya Fujita), who is best known for the 修羅雪姫 ('Shurayukihime' - 'Lady Snowblood') films; [YT]
3. 悲しき願い ('Kanashiki negai' - 'Melancholy Wish')
by 尾藤イサオ (Isao Bitō), from 1965; [YT]
4. 赤い靴 ('Akai kutsu' - 'Red Shoes')
by 秋吉久美子 (Kumiko Akiyoshi) on her great untitled album (1975); [YT]
5. 何故に二人はここに ('Naze ni futari wa koko ni' - 'Why the Two of Us Here')
by Kとブルンネン (K & Burunnen); [YT]
6. 骨まで愛して ('Hone made ai shite' - 'I Love You to Your Bones')
by 城卓矢 (Takuya Jō), from 1966; [YT]
7. 好きさ 好きさ 好きさ ('Sukisa sukisa sukisa' - 'I Love You')
by The Zombies (1965), but more famous as covered by Californian rock band People! (their one hit single, in 1968); [YT] / [YT]
8. 世界は二人のために ('Sekai wa futari no tame ni' - 'The World Is Ours')
by 佐良直美 (Naomi Sagara), her debut single in 1967; [YT]
9. 夜と朝のあいだに ('Yoru to asa no aida ni' - 'Between Night and Morning')
by ピーター (Peter, stage name for 池畑慎之介 (Shinnosuke Ikehata), who also acted, notably in 乱 / 'Ran' (by 黒澤明 (Akira Kurosawa)) and 薔薇の葬列 / 'Funeral Parade of Roses' (by 松本俊夫 (Toshio Matsumoto)); a single from 1969) [YT].
For some lyric translations, go here.
The line-up on both Aihiyō albums is:
Keiji Haino (灰野敬二): guitar, voice
Ikurō Takahashi (高橋幾郎): drums
Masami Kawaguchi (川口雅巳): bass
Regarding the band name, it's a word coined by Haino himself, consisting of 3 kanji characters: 哀 (ai) means sorrow; 秘 (hi) means secret; and 謡 (yō) means chant (often specifically noh chanting). What more fitting name for a '60s pop cover band?
Here [2012 reupload!].
320kbps.
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